One: Shifting Gears

shifting gears, abstract, mixed media
First in the series

Re-evaluating my recent adventure onto paper, I realized how far I have left the path. Shifting gears and refocusing requires a seriously adventurous approach. Hence, more fun required…

Control vs chaos

Succumbing to temptation, I had returned to a more controlled method of painting. As I re-entered the world of paper support I froze. I love the happy accidents watercolour produces yet I rarely allow them except inside of designated areas. Because shifting gears means creating chaos, I must let go at first. Then rediscovering the order within the random marks later provides endless intrigue.

Shifting gears inspires challenges

shifting gears, abstract, mixed media
No barbed wire

The incubation period has begun. Self-imposed parameters limit the amount of flexibility available to me. A vertical full-sheet watercolour paper is a must. The masking tape strips remain. Copper sheeting is a constant. It also provides a link to the barbed wire idea although the wire may be used in a different way. How I will incorporate the dandelion motif in the future remains a mystery. Consequently, shifting gears inspires a few challenges.

Paper demands changes in technique

shifting gears, abstract, mixed media
Now what?

Admittedly, the stark lines left by the masking tape strips precludes my usual chaotic beginnings. Paper demands a different approach. Shifting gears into chaos probably means later whites will be re-established with gouache or gesso. Truly a mixed media piece, anything goes.

Shifting gears requires risk

The reason behind the shifting gears? I feel tight. I lost something important in the transition. Instead of a labour of love it has become meaningless labour. A killer for any artist. My muse requires chaos. The fun is in the reordering. The satisfaction is in the neomosaic look. So, as I stand and gaze for a little longer, at one point I must take the risk and allow it to take me where it will.

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