Re-evaluating my recent adventure onto paper, I realized how far I have left the path. Shifting gears and refocusing requires a seriously adventurous approach. Hence, more fun required…
Control vs chaos
Succumbing to temptation, I had returned to a more controlled method of painting. As I re-entered the world of paper support I froze. I love the happy accidents watercolour produces yet I rarely allow them except inside of designated areas. Because shifting gears means creating chaos, I must let go at first. Then rediscovering the order within the random marks later provides endless intrigue.
Shifting gears inspires challenges
The incubation period has begun. Self-imposed parameters limit the amount of flexibility available to me. A vertical full-sheet watercolour paper is a must. The masking tape strips remain. Copper sheeting is a constant. It also provides a link to the barbed wire idea although the wire may be used in a different way. How I will incorporate the dandelion motif in the future remains a mystery. Consequently, shifting gears inspires a few challenges.
Paper demands changes in technique
Admittedly, the stark lines left by the masking tape strips precludes my usual chaotic beginnings. Paper demands a different approach. Shifting gears into chaos probably means later whites will be re-established with gouache or gesso. Truly a mixed media piece, anything goes.
Shifting gears requires risk
The reason behind the shifting gears? I feel tight. I lost something important in the transition. Instead of a labour of love it has become meaningless labour. A killer for any artist. My muse requires chaos. The fun is in the reordering. The satisfaction is in the neomosaic look. So, as I stand and gaze for a little longer, at one point I must take the risk and allow it to take me where it will.