One: Shipping

shipping, mixed media, semi-abstract,
Ready to pack

T’is the season to ship to Vancouver. The Federation of Canadian Artists offer an array of different competitions in which its members are invited to participate. I have taken a bit of a hiatus from this smorgasbord recently because of the intense local activity requiring no shipping.

Something different

What has stumped me on this latest shipment, however, is the unusual piece I am shipping. Works on paper are for the most part watercolour or drawings, not mixed media. I wanted something different. I had decided on a thin panel of wood until I looked up the acceptable parameters for the show. Oops. I still did not want to put it behind glass.

Glass and shipping do not mix well

Glass is always problematic in the shipping process. Whatever precautions one takes, it may or may not arrive in one piece. Although in the past I have successfully used a method wherein one tapes the surface with wide masking tape in a design to ensure the possible shards will not damage the painting, I was looking for something more like a shadow box. The distance between the glass and the painting would give it too much room to move.

Mistakes

Naturally, when one attempts something new, one makes mistakes. My first attempt to frame the painting resulted in some ugly accidents. I had decided to place the piece centered on core board cut to fit the frame. Eyeballing the centre I used double sided tape to hold the work in place. Mistake number one. The tape refused to stick to the watercolour paper. So, I used gel.

Glass is dispensable

Cutting more thin slices of core board I prepared a ridge around the edge of the backing to fit under the frame lip and thereby install a deeper distance from the frame edge to the work. Slipping it into the frame ended up being impossible with the glass. Cutting thinner spacers did not work either. Somehow little unacceptable specks installed themselves under the glass, impossible to remove. I took out the glass.

Assumptions as not as accurate

shipping, mixed media, paper, semi-abstract
Rulers are just the right thickness for lifting.

Assuming rather than measuring the size required in a twelve-by-twelve-inch frame was my third mistake. The second one was not measuring, again, to centre the painting on the core board. Evidently the painting had to be detached and placed on a larger piece of core board. This proved more of a challenge since gel is a wonderful glue.

Measuring is best

This time I measured. Quite satisfied with the result and the bonus of reduced weight, I proceeded to create the necessary tools for shipping. First the 6mm plastic sheath with the name of the painting on it. Wrapped in half-inch bubble wrap I put a layer of corrugated cardboard around the bundle. Wrapping this again in one-inch bubble wrap the bundle had grown to about sixteen inches square. I made the exterior box to fit and it is now ready to ship.

The next show

I am tempted to apply to the next show in Vancouver. Now that would be a real challenge to ship since it is almost three dimensional mixed media on paper as well. It would require some kind of styrofoam box to protect the surface and prevent movement within the shipping box… Mmmm. I have until Wednesday to decide.

Now showing

Happy New Year by the way. The All Member Winter Show at VASA is still on. Do drop in. Have a great week.

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