One: Back on Track

Back on Track, neomosaic, semi-abstract landscape, mixed media, deadlines
Almost done

With the onset of summer, such as it is, my studio time is back on track. In fact, I am making up for lost time by starting earlier and stealing hours in the evening when the opportunity knocks.

Way behind

Back on Track, neomosaic, semi-abstract landscape, mixed media, deadlines
The beginning

Deadlines have always been beneficial to my production rate. I had anticipated producing about three paintings per month to meet the November requirement. Both May and June were unusually otherwise occupied. As a result, I managed only one painting, having decided to redo another. Two in two months resulting in one total…. I could panic. Probably a waste of time.

Back on track

Being back on track means I am putting in a minimum of twenty hours per week in my studio. While the hours are not always filled with painting per se, I am attending to other necessary items as I wait for paint to dry. As I have mentioned in previous posts, my attention span to actual production is limited. Focusing on the various elements of the creative process takes its toll. So, after about an hour or two I need to regroup with less stringent activity.

Other projects

Back on Track, neomosaic, semi-abstract landscape, mixed media, deadlines
Demanding attention

In addition to the paintings for the solo, another project is due on the twenty-third of this month. Back on track does not mean I will be able to meet all obligations. I may or may not get that one done. Should I happen on an idea for the blank piece of paper it would help. In the meantime, its pristine whiteness nags at me from a distance.

Back on track helps with the backlog

Furthermore, a recent acceptance into the Alberta Society of Artists’ show “Earth” entails the construction of a solid shipping box so the painting can move from venue to venue with ease. Another side project is well on its way; the veils for the solo are almost caught up with the finished paintings. The stack of work awaiting the photo shoot and the final coats of varnish is growing as well. Being back on track may mean I will manage to get it all done.

Stepping up my game

Back on Track, neomosaic, semi-abstract landscape, mixed media, deadlines
Growing stack

I may have to step up my game further due to the fact that August is pretty much a write-off as well. Several sojourns outside the province and a family camping trip will eat up at least three weeks. My internal deadline for November is the end of September. The plan leaves enough time for completing the details. The devil is in the details as the saying goes. I may be able to chase him away with my back on track schedule. After all, I only have ten more canvases without images…. Twenty-five paintings may just have to do.

For a sneak peek at what is coming in November, take a look at my new page “One: Neomosaic” on my website. If you wish to see my work in person there are two venues open at the moment. Check for the details here.

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One: Demise

demise, blog, cocreation, mixed media, semiabstract, neomosaic,
Good beginnings

The demise of one of my paintings is a rare occurrence. Usually I have put in enough planning to avoid most problems and those that remain are often fixable. I wish to avoid making errors because the underlayers demand untouchable status.

Untouchable first layers

Not sure

By untouchable I mean the luminosity of the first six or so layers of paint cannot be disturbed without killing the light. As I work around the rivulets of colour and the texture shapes I am careful to leave the under coats showing at least to some extent. The dance and the flow of colours create the spirit of each piece. Any changes in composition or value patterns must remain minimal.

Delight in the play

demise, blog, cocreation, mixed media, semiabstract, neomosaic,
Liking some parts

As the painting developed, I rejoiced in the visual loveliness of the sky and the background trees. Not too fussy about the shore line I delighted in the colours depicting the sand upon which the driftwood lay. Demise was far from my thoughts at this point.

First hesitations

Fixes don’t work

Laying in the logs I encountered my first real hesitations. I experimented with different colour schemes. Since the logs were already covering the underlayers, I could play with various options without trying to preserve something already lost (the luminosity). Dissatisfied with the second attempt I reinstated the first. Still not happy. Demise tickled my conscience. 

Demise is inevitable

demise, blog, cocreation, mixed media, semiabstract, neomosaic,
End of the line

Perhaps developing the middle ground would improve things. Not so much. I turned my attention to the logs once more. They just did not read well. I created an imaginary cutoff on the largest of the trunks. It helped. Sigh. Finally, I consulted some friends of mine, other artists, who confirmed my worst suspicions. The changes needed required a major revamp of the composition. Demise became inevitable.

Choosing a gesso mix

So, taking my brush, I considered which of my gesso mixes I would choose, the darker one or the lighter one. Picking up the first container I noticed its weight was lighter than expected. The second one weighed in much heavier. More is better in this case, the lighter one it was. Choice is not always about colour intensity. Unfortunately, demise is costly. The most costly part of the exercise is the time spent trying to work with an image that refuses to work. 

Demise is a new start

Demise also offers me another chance to improve on what went before. I will leave it for a while although I have chosen a different schematic and the notan study is done. There are other fish to fry for now.

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One: Blank

Distractions for blank pages and blank minds
Alternative therapy

Blank pages do not inspire. Blank minds do not help. I suspect the emptiness is a direct consequence of fatigue. Driving is tiring. Funerals also take their toll.

Avoiding blank canvases

Sometimes blank canvases occasion the same effect. In order to avoid this situation, I have begun to prepare at least six surfaces at once so that the degree of preparation is scattered and varied. At the moment four bear the imprints of texture within their coat of molding paste. Four others already carry the first six layers of paint including the drips and drops. Two more are in development, the images beginning to form.

Gazing at blank paper

Waiting for the artist to take the plunge and paint the blank.
Not quite blank anymore

Blank paper has entranced me of late as well. Another project due on Thursday this week. Rather than hurry the process I have taken the time to gaze. Amidst my gazing I find solutions and possible directions. Glancing at the clock, I decided to postpone the exercise as watercolours demand more uninterrupted attention than acrylics.

Distractions

Probably the same strategy could apply to blank pages. Instead of insisting on a preconceived timetable, I began to prepare some salad for this evening and went to church. Having had lunch, I watered the newly planted Saskatoon bushes, the Japanese maple tree and the rhubarb, the stolen one from my neighbour. In addition, I cut a five-gallon pail of rhubarb stalks, again from another neighbour for the juice I need for punch next weekend. My neighbours are quite happy to see the plants used.

Awakening

With all this enjoyable activity, I realized my mind may have awakened so I came back to my blank page. While my rhubarb bubbles quietly on the stove, I will finish this blog and tackle my very much behind bookwork. Life is so good.

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One: Evolution

evolution, neomosaic, edges, drips and drops, semiabstract
First edge done

Evolution is part of living. If one is alive one is evolving. In my work as an artist, discovery of new techniques is part of the whole. Unifying the whole becomes easier as one discovers the foundational steps in a system. Hence, my system is evolving.

Too fast, too soon.

evolution, neomosaic, edges, drips and drops, semiabstract
Too soon on the easel

Since I am pressed for time these days, I tend to push the process too quickly. Not good. Slow down, you move too fast… as the song goes. Having completed the drips and drops on the surface of my thirty-by-thirty-inch canvas, I hung it on the easel in hopes of developing the image. Another one rested against the table and the twelve-by-twelves lay drying on the spray table. I had put the jars and brushes away.

Edges needed dripping

Picking up my poppy red Inktense watercolour pencil, I stood back to contemplate the composition. As much as I would have loved to continue, I stopped my contemplation, sighed and took the canvas off the easel. I had not dripped the edges.

Evolution of process

Dripping the edges may not seem important. While I have finished edges without dripping in the past, the evolution of the process to include dripping for the edges has made my life so much easier. Because the dripping comes close on the heels of the preparation of the main canvas, I have no trouble identifying which colour mixtures I threw in the first place. The difficulty is in the amount. Edges are so much smaller and do not require much paint.

Evolution means improvements

Another advantage in this evolution of process is as I am spraying the paint to make it run it overflows the edge onto the main surface creating new trails of colour. All good. The more trails the better. Previously, when I came to finish the edges, the new trails of colour ran over the finished image. Not so good.

While waiting for paint to dry

evolution, linocut, time filler, waiting for paint to dry
Always something to do

In addition, evolution has afforded me the opportunity to leave well enough alone. Occasionally the drips and drops are all that is needed to finish the edge. In fact, the only disadvantage is I am waiting for paint to dry. This is probably not a disadvantage at all in that I can do other things like work on a linocut for my new memoires chapter. All is well.

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One: Poetry

An example of neomosaic, Oneing, 36x60in on gallery wrap canvas
Oneing, dancing in the light

Poetry is an integral part of my visual expression. Limits and boundaries within the composition allow me to choose my words more carefully. Precision, however, does not help with the mystery poetry naturally embodies. Rather, we are forced to sit with the words and ponder the possibilities.

Poetry is an integral part of my visual expression.
The poetry to go with the image “Oneing”.

Haiku is the poetry form

Neomosaic on gallery wrap canvas "One Only" is the second half of the diptych.
The second half of the diptych.

Haiku is my vehicle of choice. While I obey the rhythm and the structure, five syllables in the first and last lines with seven in the middle, the other rules are basically ignored. The title for my paintings, usually one or two words, become the title of the poem. Or rather, the poem names the painting. In addition, the bilingual aspect of my offering permits me to explore the subject more deeply rather than fussing over a perfect translation.

Poetry is an integral part of my visual expression.
And the poetry to go with the image

Display can be a problem

Poetry with the image and a short description about the inspiration for the painting is a good start to a book of poetry.
One of two on a page

Although I would like my poetry to be displayed with the painting, this often does not happen. Nonetheless my regular followers know where to find it. Placing their noses as close to the surface of the image as possible, they look for the familiar scrawl the liner pen leaves among the branches and along the cracks. This presentation is illegible largely due to the heavy texture. Hence my frustration with the lack of display. Perhaps a book of poetry would be a solution. Another consideration might be to have several “books” on display so that patrons can bring them along on their explore of the exhibition.

Books may be the solution

Another example

Having tried several methods of featuring the poetry, I have come to the conclusion a book is the best solution. One, or several, will find their place at my next solo. If the possibility exists. I am not familiar with the Canmore location and there may be no table or counter space upon which to leave it. The following solo in November in St. Albert offers several horizontal surfaces.

Poetry for a landing page

Finally, as I approach marketing in a more organized manner, I may include a selection of my poetry for a promotion on a landing page. Making poetry an integral part of my visual expression is my goal. I have so much to learn.

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One: Gifts

Morning work, making progress, studio time, neomosaic, semiabstract, mixed media
Studio time, making progresss

Yesterday my daughter spoiled me with an early Mothers’ Day present. Now, on the list of love languages, gifts are really at the bottom for me. At my stage, of life accumulating things is not a high priority. Her gift, however, rates as spectacular.

Changes in metabolism

As I watched her clean one car after another, I considered the changes in my metabolism. Cleaning one car in one day is manageable, not two. After lunch she mowed the lawn, did the trimming and finished off with cleaning the house. My age is definitely showing.

Changes in priorities

gardening, gifts, neomosaic, landscape,
Featuring potato tower and compost pile

On the other hand, maybe my priorities have changed as well as my metabolism. My family has encouraged me to plunge full-time into the art world for years. So I am taking them at their word. I spent the morning in the studio, the afternoon planting the garden. And I was ready to sit down, thankful for leftovers for supper.

Changes in life style

gifts, relaxing in shade, gardening, neomosaic, landscape, mixed media
Our relaxing spot

Today I receive gifts from my husband as well. He really has a hard time to accept certain changes. In another lifetime gathering the kids around to celebrate was easy. Mothers’ Day has become increasingly more difficult with children becoming parents and wanting to celebrate their own mothers. Grandmothers on both sides and sometimes more than one or two becomes  a juggling act. In the end, I appreciate his efforts. He will be cooking supper today, not something he enjoys. In conclusion, I am loved.

More gifts

gifts, gardening, herbs, neomosaic, landscape, semiabstract, mixed media

Another Mothers’ Day gift follows on my birthday present. We will be putting up the mosquito shelter today. While last night was spectacular sitting out under the trees and watching the crow unplant the garden, the bugs will soon be around in abundance as usual. I think constructing the shelter is the last of the gifts from my husband and daughter.

Gifts to treasure

Finally, my son in Montreal phoned this morning bright and early to wish me a happy Mothers’ Day. I expect I will receive a couple more calls. These are the kinds of gifts I appreciate. They go straight into my heart where I can keep them forever. Happy Mothers’ Day to everyone.

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One: Bits

bits, neomosaic, semiabstract, mixed media
Almost done

Bits and pieces make up my working day. I steal minutes, hours , morning, noon and night. Consequently, I am finishing a few things. In the midst of all the bustle I remember my life is not mine. When all is said and done, the doing comes in a distant second to the way we treat those around us.

My biggest fan

Admittedly, my remembering comes after I have chewed out my husband for coming home too soon. Poor fellow. Especially since his only fault is his excitement about sharing his latest encounter or achievement and there are many. So, I apologise; he forgives me and we move on. Breathe.

Putting things together

If you follow me on Instagram, you will have noticed my progress with the preparations for my workshops which begin in just over a week. While I was preparing examples for the students to see how the results of their efforts might look, I discovered I had forgotten how easy it is to use certain techniques. One really cannot make a mistake. And if one does, just add some more bits. On occasion, when I read my instructions, I redo the example. For sure, the cards do not need to look a certain way. However, I am trying to use up some leftover paper from other projects. I dislike waste.

Painting progress

neomosaic, bits, semiabstract, mixed media
Making progress

Progress reigns in the painting department as well. I think I have finished one. Sitting on the floor, it waits for approval. The second sitting. I changed a few things from the first sit. Looking at the available canvases in my studio I decided to prepare another two with molding paste as the four I am working with are coming along nicely. My anxiety to finish has something to do with April. Probably since I did not get any done in April.

More examples

Not everything I do has to do with art. Well, not directly. Bookkeeping for example. Stealing bits and pieces of time is the best way to keep up. Combined with a deadline (the statement date), the work is ready with much less stress when tax season arrives. Another bit among the bits, was a webinar. I listened attentively to the changes Facebook and Instagram are making to their programs. Important stuff. It looks like I will need to spend money. Sigh. Put up my new sign and filled in as receptionist for the VASA show on Thursday too.

Doing things in bits

Doing things in bits seems to work for me. Following an intense session with my paintbrush I need a break. Hanging new paintings in my gallery, preparing new canvases, counting materials for a workshop, stealing time all contributes to a job well done. Life is good.

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One: Distractions

distractions, Development and Peace, neomosaic, DEVENIR, exhibitions.
Development and Peace/Caritas Canada

Life overflows with distractions these days. We spent this weekend in Calgary for the Regional Assembly for Development and Peace/Caritas Canada. I was a delegate this time and very thankful for only three resolutions, or was it four? In any case, it did not take much time.

Disheartening snow

distractions, Development and Peace, neomosaic, DEVENIR, exhibitions.
Cold, wet snow

The only disheartening event over the weekend happened as we stepped out the door Saturday night on our way home. Six inches of cold wet snow. As we scraped off the windows and struggled with the underlying ice I was wishing for my gloves. At least I wore boots.

Show end

distractions, Development and Peace, neomosaic, DEVENIR, exhibitions.
“Sparkes” 48x48in neomosaic on gallery wrap canvas

Another reason I visited the city was the end of the Artpoint “Large Works” show. “Sparkles” is safely back in my studio. Not sure whether to hang it or store it. I will figure that out tomorrow. 

Teamwork

distractions, Development and Peace, neomosaic, DEVENIR, exhibitions.
Waiting to be picked up

As well, a fundraiser for WAM (Women’s Art Museum) inspired a donation from Sabine who left her work at Artpoint to pick up. During our weekly telephone conversation for DEVENIR I mentioned my trip to Calgary and Doris made the connection and asked if I could bring the work back to Edmonton with me. Sometimes helping someone else out is really easy. Teamwork makes light work.

Dealing with distractions

Next week looks a little better as far as studio time goes. The days and weeks fly by so quickly and I am not going to meet my projected budget for paintings this month. May will be better although distractions still abound in the form of gardening and workshops. One thing is for certain; I am never bored.

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One: Focus

focus, multitasking, workshops, neomosaic, mixed media,
Almost finished….

Multitasking is my middle name. I am not as good at it as I used to be. Something to do with age and memory. Focus could be another reason. Lately my focus has scattered in all directions as I reset my priorities.

New Priorities

focus, multitasking, workshops, neomosaic, mixed media,
November waits…

First of all, I still require time to complete my major task of providing about thirty paintings for a solo show in November. And, fortunately, I have been invited to present four workshops in May. As well, some new customers wish me to provide some preliminary sketches for a large commission. We have not settled on a deadline for this so it will slip into the background for now.

commissions, multitasking, workshops, neomosaic, mixed media,
The hills are alive

Focus on Workshops

focus, multitasking, workshops, neomosaic, mixed media,
More prep…

The last time I presented these workshops was about five or more years ago. I gave most of my materials away because I decided I would no longer entertain school residencies. Well, the workshops are not for children. My clientele is at the other end of the spectrum. Thankfully the class is limited to ten.  Much less to prepare, yet quite enough to fill many hours. The real positive in all this is I will be well equipped again. I do intend to continue. I have missed teaching.

Revamping Website

In the midst of all this activity I decided to revamp my website. It has long waited for some overdue attention. In spite of a huge lack of technological expertise I have found the exercise less demanding than expected. Nevertheless, there is much yet to do. My intention is to again attempt the round of applications to commercial galleries. We will see how that manifests. 

DEVENIR

Devenir, multitasking, workshops, neomosaic, mixed media,
Repetitive exercise

DEVENIR is beginning a new project. We have the elements but not the final product. While a new venture is always exciting, the discussions, finding materials and deciding on a format all takes time. I am delighted I am not doing this alone! So fun.

Babysitting gives me time

Another focus for me is babysitting my granddaughter once per week. Delightfully helpful this toddler is quite willing to help me with yard work, shopping, laundry or any other household task. She will provide me with the time to complete any necessary indoor/outdoor tasks as we wait for planting season.

New life

focus, multitasking, workshops, neomosaic, mixed media,
Making progress nonetheless

All in all, life is good. Spring energizes the atmosphere and everything breathes in the new life.

Focusing on thankfulness will steady my keel as I set my sails for new horizons. Wishing everyone an excellent week.

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One: Showing is essential

showing is essential, gallery, neomosaic, semiabstract, mixed media
One end of my gallery space

Showing is essential in our profession as artists. Some venues concentrate on the show rather than the selling. Professional salespeople are found in commercial galleries rather than artist run collectives. Often the artist must take on the role of salesperson as well. The advantage is less commission paid. The disadvantage is reduced studio time.

Choice of venues

showing is essential, gallery, neomosaic, semiabstract, mixed media
Other end

Up to this point in my career (that’s right! It is not a hobby…) my show place of choice has been artist collectives and various open walls attached to local businesses. I do sell some. My profession, however, is not sales. Lately I have felt a desire to reach beyond my comfort zone and join the ranks of paid artists, that is the realm of a steady sales income.

Approaching galleries

showing is essential, gallery, neomosaic, semiabstract, mixed media
Latest work

First on the list is revamping my website. The current mode of thought when approaching galleries is to send a brief introductory email with an attached example of work directing the powers that be toward a fuller experience in the form of a website. I have not reworked my website in quite a while. I have trouble keeping it up to date.

Other income

 neomosaic, semiabstract, mixed media
Four more coming

Living in the land of reality I realize a connection to a gallery may not be the answer even if it does manifest. Hence my energies are directed towards other income generating endeavours such as commission work or teaching. Lately, I have been quizzing other artists about how they run their classes with the view to keeping it simple. I have been classically trained and it is a lot of work for which I have no time.

Showing is essential

Time is of the essence. Showing my work consumes more of this precious commodity these days as I am accepted more frequently into all kinds of different locations, sometimes from one end of the province to the other–just a matter of say fifteen hundred kilometers or more. As a result, my productivity needs maintaining to meet the demand. Just showing, however, fills my storage and not my coffers.

Continuous adventure

I have perhaps found a way to reduce the storage by loaning some work for an extended period to institutions such as long-term care. Showing is essential still and my work is always on display in my own gallery though it accommodates fewer pieces and occupies more space. All in all, this adventure will keep me occupied for some time to come. Life is good.

Events

Don’t miss out on all the happenings and current shows. Find out more here.

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