One: Titles

titles, blog, cocreation, mixed media, neomosaic, semiabstract landscape,
“Cracks/brisures”, a particularly appropriate title

Selecting titles for my paintings is not a precise science. Poetry has more to do with it. Because I wish to create some mystery, dropping clues here and there about what the work is saying, I spend a lot of time with titles.

Titles often come from poetry

titles, blog, cocreation, mixed media, neomosaic, semiabstract landscape,
“Backwaters/dans les coulisses”, my husband helped with this one

First of all, the selection remains one of the last tasks in the production line. Occasionally I am inspired to write and find myself whipping off several poems in a row all on the same theme. Usually, titles hide inside poetry. While this may be a fun exercise, I find the paintings do not always fit what I have written.

Usually titles come at the end

“Errant/divergence”, is going to show in Salmon Arm

Consequently, I leave the poem until I have finished the work. At the moment I have a painting awaiting a title. For the most part, titles come easily. Inspired by the image, the poetry flows and amidst the words of the poem the gem resides. Not so this time. In fact, I have a backlog of poetry to do.

Sometimes the muse delays

titles, blog, cocreation, mixed media, neomosaic, semiabstract landscape,
“Higher Ground/exemple”, definitely inspired

Forcing the muse is not a good idea. Rather than insisting on a completed painting immediately, I turn my attention to other things, like a new coat of molding paste, or beginning another image. I trust, in time, what I have sought will show itself when the moment is right. Perhaps all I need do is sit down and allow myself to connect for a while. Titles inspired by the Holy Spirit are the best. I could try getting out of the way….

Help comes in more than one form

“Illusion”, now showing at St. Joseph’s College

In addition to my muse, I must admit to some rather important help from my husband. When I do finish a poem, it is written on a scrap piece of paper and placed on his keyboard where he will be sure to find it. Often, he has excellent suggestions to improve the wording and thereby better titles.

Not all titles are necessarily good

titles, blog, cocreation, mixed media, neomosaic, semiabstract landscape,
“Spirit Dance/l’âme”, one of my favorites

Nevertheless, not all my titles are good ones. Some are too mysterious or cryptic. As much as I would love the Spirit to move me all the time, this is not always the case. Practical is good too, just not inspired.

Upcoming exhibitions

Besides titles, my world approaches another time of exhibitions and therefore some publicity preparation. DEVENIR has a show in August in Salmon Arm and I have a solo in Canmore at the end of August. As well, St. Joseph’s College in Edmonton has offered me some walls to display my work for an extended period of time, very useful for freeing up space in my storage unit. And one never knows.  Check out all my upcoming events here. Have a great week.

Share

One: Poetry

An example of neomosaic, Oneing, 36x60in on gallery wrap canvas
Oneing, dancing in the light

Poetry is an integral part of my visual expression. Limits and boundaries within the composition allow me to choose my words more carefully. Precision, however, does not help with the mystery poetry naturally embodies. Rather, we are forced to sit with the words and ponder the possibilities.

Poetry is an integral part of my visual expression.
The poetry to go with the image “Oneing”.

Haiku is the poetry form

Neomosaic on gallery wrap canvas "One Only" is the second half of the diptych.
The second half of the diptych.

Haiku is my vehicle of choice. While I obey the rhythm and the structure, five syllables in the first and last lines with seven in the middle, the other rules are basically ignored. The title for my paintings, usually one or two words, become the title of the poem. Or rather, the poem names the painting. In addition, the bilingual aspect of my offering permits me to explore the subject more deeply rather than fussing over a perfect translation.

Poetry is an integral part of my visual expression.
And the poetry to go with the image

Display can be a problem

Poetry with the image and a short description about the inspiration for the painting is a good start to a book of poetry.
One of two on a page

Although I would like my poetry to be displayed with the painting, this often does not happen. Nonetheless my regular followers know where to find it. Placing their noses as close to the surface of the image as possible, they look for the familiar scrawl the liner pen leaves among the branches and along the cracks. This presentation is illegible largely due to the heavy texture. Hence my frustration with the lack of display. Perhaps a book of poetry would be a solution. Another consideration might be to have several “books” on display so that patrons can bring them along on their explore of the exhibition.

Books may be the solution

Another example

Having tried several methods of featuring the poetry, I have come to the conclusion a book is the best solution. One, or several, will find their place at my next solo. If the possibility exists. I am not familiar with the Canmore location and there may be no table or counter space upon which to leave it. The following solo in November in St. Albert offers several horizontal surfaces.

Poetry for a landing page

Finally, as I approach marketing in a more organized manner, I may include a selection of my poetry for a promotion on a landing page. Making poetry an integral part of my visual expression is my goal. I have so much to learn.

Share